The sky is the limit consists of a body of work that focuses on the longest standing governor’s mansion still in use in the Western Hemisphere: Puerto Rico’s La Fortaleza. By creating skies through the reproduction of the traditional light blue or pale gray tones used to paint the colonial fortress, the body of work emphasizes the notion that limitations are more than often set from within. In Puerto Rico’s case, its governing class. These works continue our investigation on the reproduction of color while exploring its territorial and political associations.